One of the things that fascinates me is the materials that are available to weave with. I fell into a little 'extra' money and had a gift card to Amazon, and found their listings for electronic microscopes. Then I had some fun burrowing down the rabbit hole, looking at threads up close and personal.
The above threads are a case in point. They both have the same 'count', but that doesn't make them 'identical'!
The accepted wisdom is that if a, for example, cotton yarn has the same 'count' as another yarn, they are interchangeable. They will behave the same, and create exactly the same quality of cloth.
About that...
I'm still dealing with the brain injury and other ailments, so I have not felt able to read Michelle Boyd's book Twist - but I do pick it up and page through it. But the other thing that arrived is the first issue of WEFT. A magazine article is more manageable for me right now. I can focus for several pages and read an article, now and then, where an entire book still feels like too much to cope with.
But I really want to read Michelle's book - thoroughly! - because if we do not understand the materials we are working with, we can't properly manage them.
I saw a request from a new weaver who just bought some really lovely yarn and wanted to know how to set up her loom to show it off.
The yarn was pretty - lots of colour changes - and if used as warp it would make an interesting scarf (the intended finished item).
But what did I notice about that yarn? It was not 'smooth'. It was described as a blend of two yarns, but all I could focus on was the texture. One of the yarns appeared to be creating a lot of loose 'ends', which in a knitted sweater (likely its intended use), would be interesting, but would be verging on a nightmare if used as warp in the loom.
Those loose fibres would tend to start popping out of the structure of the yarn, then it would begin to snag on neighbouring yarns creating snarls and 'knots' which could affect the shed.
I'm pretty sure it was quite expensive so I very much doubt the person would be willing to 'waste' some of it making a sample.
New to the craft folk are anxious to make something 'successful'. Some of them don't see the value of 'sampling'. They consider weaving a sample a 'waste of time/money'.
But there is a treasure trove of choices, especially if you look at knitting/crocheting yarn. And yes, you *can* weave with them - *if you understand their nature*. And how do you find that out? You weave with it.
Now sometimes a 'scarf' can be a 'sample'. Or a 'place mat'. Mug rug. A sample doesn't have to just be a sample!
But learning something is never (in my opinion) a 'waste of time/money'. It is how we learn.
I wish I'd bought the next microscope 'up' in terms of magnification. While this one is good, sometimes I'd like to see individual fibres. But this one wasn't terribly expensive, and it allows me to 'see' the yarns much 'closer'.
So don't be afraid to explore. To find out. To *learn*.
To the new weavers, I hope you find as much satisfaction in weaving as I do from the craft.
The craft so long, the life too short to learn.